(1871, Alabama) The Girl Who Never Aged Like the Others

Time in its relentless march etches its pᴀssage upon the human form.

It deepens the lines around eyes that have seen joy and sorrow, silver threads the hair with wisdom or worry, and subtly reshapes the contours of a face, marking each year with an undeniable visible truth.

We are each of us living chronicles of our own existence.

Our bodies a testament to the seasons we have weathered, the experiences we have gathered.

But imagine if you can, a face that defies this fundamental law of nature.

A visage held captive, frozen in an eternal spring while the world around it rushes headlong into autumn.

A silent, unsettling paradox that whispers of something profoundly, terribly wrong.

A mystery so unsettling it would haunt the quiet corners of a small Alabama town, leaving its inhabitants to wonder if they were witnessing a miracle or something far more sinister.

Before we continue with the story of Nora Vance, if you’re new here, subscribe and turn on notifications and tell us in the comments what state or country you’re listening from.

Now, let’s step into Harwick, Alabama, and into a mystery that no one in that town was ever fully prepared to face.

Harwick, Alabama, in the year of our Lord, 1871, was not a place of grand pronouncements or bustling industry.

It was a town still catching its breath, still nursing the deep, festering wounds of a war that had torn the nation, and particularly the South, a sunder.

The air itself seemed to carry the faint acrid scent of ash and defeat mingling with the heavy sweet perfume of Magnolia’s and the everpresent dust kicked up by wagons on unpaved roads.

The civil war had ended 6 years prior, but its shadow stretched long and cold over Harwick, touching every family, every field, every weary soul.

The men who had marched off in their Confederate gray had returned, if they returned at all, with hollow eyes and haunted silences, their bodies often broken, their spirits irrevocably scarred.

The women, who had kept the home fires burning with dwindling resources and mounting anxieties, now faced a future that felt both alien and impossibly bleak.

The economy of Harwick, like so many southern towns, was inextricably bound to cotton.

Fields stretched out under the relentless Alabama sun.

Their white balls a promise of prosperity that rarely materialized for the common farmer.

Sharecropping was the new reality for many, a cycle of debt and dependence that replaced one form of servitude with another.

Equally binding, the freed men, newly emancipated, navigated a treacherous landscape of newfound freedom and deeply entrenched prejudice, their hopes often dashed against the harsh realities of reconstruction era Alabama.

Racial tensions simmered beneath the surface of polite society, occasionally boiling over in acts of quiet cruelty or overt intimidation, a constant unsettling hum in the background of daily life.

The town itself was a modest collection of clapboard houses, most in various states of disrepair, their paint peeling like sunburnt skin.

A single dusty main street boasted a general store, its shelves sparsely stocked, but its proprietor, old Mr.

Abernathy, always ready with a piece of gossip or a sympathetic ear.

There was a blacksmith, his hammer ringing out a rhythmic clang that punctuated the quiet afternoons, and a small, unᴀssuming post office, where letters from distant relatives were eagerly awaited, often bringing news of hardship rather than fortune.

At the heart of Harwick, both geographically and spiritually, stood the First Baptist Church, its steeple reaching towards the heavens like a desperate plea.

On Sundays, its pews would fill with the town’s inhabitants, seeking solace, guidance, and a sense of community in the fiery sermons of Reverend Tate, whose voice could thunder like a summer storm or soothe like a gentle breeze, depending on the perceived moral failings of his flock.

The roads were mostly dirt tracks, turning to impossible mud during the torrential spring rains, and baking into cracked, dusty paths in the oppressive summer heat.

The sounds of harik were simple.

The distant loing of cattle, the chirping of crickets at dusk, the occasional winnie of a horse, the murmur of conversations carried on front porches, and the everpresent buzz of flies.

The smells were earthy damp soil after a shower, wood smoke from cooking fires, the faint cloying sweetness of honeysuckle, and the sharp metallic tang of sweat from laboring under the sun.

Life was hard, unyielding, and deeply traditional.

Change came slowly, if at all, and anything out of the ordinary was scrutinized, discussed, and often feared.

It was into this world that Elias Vance and his daughter Norah lived.

Their home, a two-story farmhouse, stood a mile or so outside the main cluster of Harwick, nestled amongst a small grove of ancient oak trees.

It was a handsome house once, built with care and pride.

But now it wore a coat of faded gray paint and a quiet air of neglect, as if mourning alongside its owner.

Elias Vance was a man forged in the crucible of war.

A former Confederate officer who had returned from the battlefields of Virginia, a changed man.

He was tall, gaunt, with a severe jawline and eyes that seemed perpetually shadowed, even in the brightest sunlight.

His hair, once a rich brown, was now stre with premature gray, pulled back neatly from a high forehead.

He moved with a stiff, almost military precision, his shoulders perpetually squared, his gaze direct but uninviting.

In public, Elias was a man of few words.

He would come to town for supplies, his buggy rattling along the dusty road, and conduct his business with a quiet efficiency that discouraged idle chatter.

He paid his debts promptly, nodded curtly to those he pᴀssed, and offered only the briefest of pleasantries.

He was respected in a distant, wary way for his service in the war, and for his unwavering stoicism in the face of personal tragedy.

Everyone knew he had lost his beloved wife, Claraara, during the war years, a loss that seemed to have hollowed him out, leaving only a shell of the man he once was.

He was seen as a man of principle, if a somber one, and his reclusiveness was attributed to his grief.

At home, however, the silence of the Vance farmhouse was a different kind of beast.

It was a silence born not of peace, but of a suffocating control.

Elias’s routines were meticulous, almost ritualistic.

He would rise before dawn, tend to his small plot of cotton and corn, and then return to the house where he would prepare Norah’s breakfast.

Norah, his only child, was a wisp of a girl, small for her age with delicate features and hair the color of spun moonlight.

Her eyes, however, were her most striking feature, a deep, intelligent blue that seemed to hold an ancient wisdom, or perhaps an ancient sorrow.

She moved through the house with an unnerving stillness, her footsteps barely audible on the worn floorboards.

Her voice, when she spoke, was soft, almost a whisper, as if she feared disturbing the fragile peace that Elias so carefully maintained.

Norah was, by all accounts, a well-behaved child, too well- behaved, some might have whispered, had they dared to speak their thoughts aloud.

She was always neatly dressed, her clothes simple but clean, her hair always perfectly braided.

She spent her days reading the few books Elias possessed, or sketching in a worn notebook, her delicate hands moving with a quiet grace.

She rarely played outside, and when she did, it was always within the confines of the van’s property under the watchful, everpresent eye of her father.

The town’s people saw her as a quiet, almost ethereal child, a fragile bloom in a harsh world.

They pied her for the loss of her mother and for the somber life she led with her reclusive father.

They saw her as a child, perhaps a little sickly, but otherwise unremarkable.

They did not yet see the unsettling truth that was slowly, subtly beginning to manifest itself, a truth that would shatter the quiet facade of the Vance household and expose a darkness that no one in Harwick was prepared to comprehend.

The first shadow, a faint and almost imperceptible ripple in the placid surface of Harwick life, began to lengthen in the spring of 1875.

4 years had pᴀssed since the war’s end.

4 years since Norah Vance was last truly seen as a child of 10.

Now, by the calendar, she should have been 14, on the cusp of womanhood, her body beginning to betray the subtle shifts and curves that marked the transition from girl to young lady.

But Norah, to the increasingly sharp eye of Mabel Puit, remained stubbornly, unnervingly the same.

Mabel Puit was a woman built for observation.

Her eyes, though often narrowed in suspicion, missed little.

She was a fixture at the general store, her basket always full of the week’s necessities, her ears always open to the currents of town gossip.

She had known Norah Vance since the child was born, had seen her toddle, then walk, then grow into a quiet, pale girl.

But something had stopped.

It was a Tuesday afternoon, H๏τ and humid, the kind of day that made the air thick and heavy when Mabel saw Nora in town.

Elias Vance had brought her in, as he occasionally did, to pick up a new spool of thread or a small packet of seeds.

Norah stood beside her father, a silent, almost translucent figure in a simple calico dress.

Her hair, still the color of moonlight, was braided down her back, and her face, framed by the soft wisps that escaped her braid, was smooth, unlined, and utterly childlike.

Mabel watched her, then glanced at her own daughter, Sarah, who was a year younger than Nora.

Sarah was all gangly limbs and burgeoning curves, her voice beginning to deepen, her face breaking out in the occasional spot.

She was growing, changing, blossoming into adolescence.

But Nora, Norah was not.

Her height seemed unchanged from two, even 3 years prior.

Her hands were still small, her wrists slender as a bird’s bones.

Her chest remained flat, her hips narrow.

It was as if time, in its infinite wisdom, had simply forgotten to touch her.

Mabel felt a prickle of unease, a cold sensation that started in her stomach and spread through her veins.

It wasn’t just that Norah looked young.

It was that she looked exactly the same.

The same delicate features, the same wide blue eyes, the same unnerving stillness.

It was as if she had been preserved like a specimen in a jar untouched by the natural progression of years.

That evening, as the crickets began their nightly symphony, and the air offered a slight welcome reprieve from the day’s heat, Mabel sat on her porch swing, fanning herself with a palmetto fan.

Her husband, Thomas, a kind, but often oblivious man, was whittling a piece of cedar beside her.

“Thomas,” Mabel began her voice low.

“Did you see Norah Vance today?” Thomas grunted, his knife carving a delicate curl from the wood.

saw her with Elias at the store, quiet as ever.

“She’s not growing, Thomas,” Mabel stated, her voice тιԍнт with a certainty that brooked no argument.

“She’s 14 years old, and she looks no older than 10, maybe 11.

” At a push, Thomas paused, his whittling, looking up at his wife with a furrowed brow.

“Now, Mabel, girls grow at their own pace.

Some are late bloomers.

You know that.

This ain’t about late blooming, Thomas.

” Mabel insisted, her fans stilling.

This is unnatural.

I’ve seen enough children grow up in this town to know what’s natural and what ain’t.

Her face, her size, her everything.

It’s like she’s stuck frozen.

Thomas, a practical man, shrugged.

Elias keeps her close.

Maybe she just ain’t getting enough sun or good food.

He’s a strange one that Elias since Clara pᴀssed.

Mabel scoffed.

It’s more than that.

It’s a feeling, Thomas.

A cold feeling.

The next day, Mabel’s unease solidified into conviction.

At the dry good store, while examining bolts of fabric, she encountered Mrs.

Henderson, a woman known for her sharp tongue and even sharper observations.

Mabel, you seen Noravans lately? Mrs.

Henderson whispered, leaning in conspiratorally, her eyes darting around the sparsely populated store.

Mabel straightened, a flicker of grim satisfaction in her eyes.

I did just yesterday, and I’ve been thinking on it.

She ain’t changed a bit, has she? Mrs.

Henderson continued, her voice barely audible.

My Martha, she’s only a year older, and she’s already got suitors sniffing around.

But Nora, she’s still a child.

A little doll.

A doll that don’t age, Mabel finished, a shiver running down her spine despite the heat.

It ain’t right, Mrs.

Henderson.

It just ain’t right.

The seed of suspicion once planted began to sprout with alarming speed.

The women of Harwick, with their keen eyes and even keener ears, began to notice.

At church, during the brief moments Norah was present, hushed whispers would ripple through the pews.

She’s so small for her age.

Looks just like she did 3 years ago.

Poor child, always so pale.

The whispers were not malicious, not yet, but they carried an undercurrent of fear of the unknown.

Reverend Tate, a man acutely attuned to the spiritual pulse of his congregation, could feel the shift.

He saw the furtive glances towards the vance pew, the uneasy murmurss.

He understood that something was unsettling his flock, something that defied the natural order.

And so, the following Sunday, his sermon took on a new, more ominous tone.

His voice, usually booming with righteous fervor, began with a low, resonant hum that commanded attention.

My brethren, we live in a world of God’s divine order.

The seasons turn, the crops grow, the children blossom into men and women, just as the Lord intended.

But sometimes he paused, his gaze sweeping across the congregation, lingering for a moment perhaps on the quiet, still figure of Norah Vance, though he never named her.

Sometimes the natural order is disturbed.

Sometimes things appear that defy explanation, that stand outside the Lord’s design.

He spoke of the dangers of vanity, of trying to halt the hand of time, of tampering with God’s will.

He spoke of blessings and curses, of the mysterious ways the Almighty might choose to manifest his displeasure or his divine intervention.

He did not accuse, not directly, but his words painted a vivid picture of an anomaly, a deviation that could only be interpreted as either a sign from above or a dark omen.

The atmosphere in the church grew heavy, thick with unspoken fears.

The town, already struggling with the aftermath of war and the harsh realities of daily life, now had a new unsettling mystery to contend with.

The whispers turned to hushed theories, some invoking witchcraft, others divine punishment.

The quiet, pale girl from the Vance farm was no longer just a quiet, pale girl.

She was becoming a symbol, a question mark, a source of growing dread in the heart of Harwick.

And the shadow, once faint, now stretched long and dark across the entire community.

Dr.

Ambrose Halt was a man of science, a beacon of rationality in a town often swayed by supersтιтion and rumor.

His office, located in a small, well-maintained building just off the main street, was a testament to his methodical nature.

Inside the air smelled faintly of carbolic acid and dried herbs, a blend of modern medicine and traditional remedies.

His instruments, though rudimentary by today’s standards, were meticulously arranged.

Gleaming scalpels, a polished stethoscope, glᴀss vials filled with various tinctures and a microscope, a marvel of technology that allowed him to peer into the unseen world of cells and microbes.

He kept a small leatherbound journal on his desk, its pages filled with precise observations, diagnosis, and the occasional frustrated query.

Dr.

Hol had trained in Philadelphia, a city far removed from the dusty roads of Harwick, and had returned to his native Alabama with a deep-seated belief in the power of observation, logic, and empirical evidence.

He was a quiet man, thoughtful and deliberate, his brow often furrowed in concentration.

He treated all ailments, from the common cold to the more serious fevers that swept through the town, with the same unwavering dedication to understanding the underlying cause.

He was respected, if not always fully understood, by the town’s folk, who often preferred the comforting words of Reverend Tate to the cold, hard facts of science.

It was in the late summer of 1875, amidst the growing whispers about Norah Vance, that Elias Vance himself sought out Dr.

Halt.

Elias arrived at the doctor’s office in his usual quiet manner, his face impᴀssive, his posture rigid.

He requested a full examination of his daughter, stating with a chilling lack of emotion that the child seems to be developing slowly and there are rumors.

It was a preemptive strike, a calculated move to quell the rising tide of speculation, to present a medical explanation for what the town perceived as an anomaly.

Dr.

Holt agreed.

His professional curiosity peaked.

He had heard the whispers, of course, but had dismissed them as the usual small town gossip, exaggerated and unfounded.

He expected to find a slightly underdeveloped girl, perhaps suffering from malnutrition or a chronic illness, nothing more.

The examination took place a few days later in the quiet, sterile environment of Dr.

Holt’s office.

Norah Vance sat on the examination table, her small feet dangling, her hands clasped in her lap.

She was, as always, unnervingly still, her blue eyes following Dr.

halts movements with an intelligent almost knowing gaze.

Elias stood in the corner of the room, a silent sentinel, his presence a heavy weight in the small space.

Dr.

Holt began his examination methodically.

He measured her height, a mere 4t 8 in, a stature more suited to a girl of 10 or 11.

He weighed her, a feather light 75 lb.

He noted the fine, almost translucent quality of her skin, the lack of any adolescent blemishes.

He checked her teeth, noting their small size, the absence of wisdom teeth, and the general appearance of a younger dentistician.

He palpated her bones, feeling the delicate structure of her wrists, her ankles, her ribs.

There was no sign of the robust growth spurts typical of a girl her age.

He then moved to more intimate observations.

his professional demeanor masking a growing sense of unease.

He noted the complete absence of secondary Sєxual characteristics.

Her chest was flat, her hips narrow, her body utterly devoid of the subtle curves that marked the onset of puberty.

Her voice, when she answered his questions about her general health, “Do you feel tired, Nora? Do you have any pains?” was soft, high-pitched, and childlike.

She reported no menstrual cycles, no bodily changes whatsoever.

Dr.

Holt’s brow furrowed deeper with each observation.

He asked Elias about Norah’s diet, her daily routines, her general health history.

Elias provided precise almost rehearsed answers, a balanced diet, regular sleep, no significant illnesses since childhood.

He spoke of Norah’s quiet nature, her love for reading, her delicate consтιтution.

As the examination concluded, Dr.

Holt found himself in a state of profound confusion.

Medically, Norah Vance presented as a girl of 10 or 11, perhaps 12 at the very oldest.

Yet, Elias had stated unequivocally that she was 14.

The discrepancy was stark, undeniable.

It defied every medical textbook, every physiological understanding of human development.

He made his notes in his journal that evening, his usually neat handwriting betraying a slight tremor.

Patient Norah Vance, age 14 years, per father Elias Vance.

Apparent age 10, 11 years.

Height 48.

Weight 75 lbs.

Skin fine, pale, no adolescent changes.

Denтιтion consistent with younger age.

Secondary Sєxual characteristics absent.

General health appears delicate but no overt signs of illness.

No reported menstrual cycles.

Observations developmental arrest.

Cause unknown.

No obvious pathology.

Patient is quiet, compliant, intelligent.

Gaze.

Father Elias Vance present throughout.

Demeanor controlled, precise, almost detached.

An unsettling case requires further observation, a profound anomaly.

The uneasy feeling he could not shake was not just professional frustration.

It was a deeper, more primal sense that something was profoundly wrong, something that transcended mere medical mystery.

It was the feeling of looking at a puzzle with missing pieces, but knowing with a chilling certainty that those pieces had not simply been lost, but deliberately removed.

The rationalist in him struggled to reconcile the facts with the inexplicable.

The man in him felt a cold dread begin to settle in his bones.

A premonition of a darkness he was only just beginning to perceive.

To understand the chilling depths of Elias Vance’s actions, one must first delve into the shadows of his past, into the crucible of grief and loss that had warped his very soul.

Before the war, Elias had been a different man.

A proud landowner, a devoted husband, a man whose stern exterior softened considerably in the presence of his beloved wife, Claraara.

Claravance was, by all accounts, a woman of ethereal beauty and gentle spirit.

Her hair was the color of spun moonlight.

Her eyes a deep intelligent blue, and her laughter, though rare, was said to be like the chime of tiny bells.

She was the light of Elias’s life, the anchor that held him steady in a world that could often feel chaotic.

Norah, their only child, was born in 1861, just as the first rumblings of war began to shake the foundations of the nation.

From the moment she was born, Norah was Claraara’s mirror image.

As she grew, the resemblance became uncanny.

The same delicate features, the same luminous hair, the same piercing blue eyes.

It was a source of immense joy for Elias, a living testament to his love for Claraara.

Then came the war.

Elas, a man of duty and conviction, answered the call to arms, leaving his young wife and infant daughter behind.

He marched with the Confederate forces, enduring the brutal campaigns, the endless marches, the horrifying carnage of battles that turned fields into charal houses.

He witnessed unspeakable acts, saw men he knew and respected fall, felt the cold grip of fear and despair.

The war stripped him of his innocence, his optimism, and slowly, inexurably, began to chip away at his humanity.

He returned from the war in 1865, not with a hero’s welcome, but to a silence that was far more devastating than any battlefield roar.

Clara had died in 1863 while Elias was still fighting in Virginia.

Not by bullet or cannon, but by the insidious grip of consumption, a disease that ravaged countless homes during those lean years.

She had wasted away, leaving behind a heartbroken community and a bewildered 2-year-old Norah.

Elias returned to an empty house, a ghost of the home he had left.

The light had gone out of his life, leaving him a drift in a sea of profound, inconsolable grief.

In the parlor of the Vance farmhouse, above the cold, unused fireplace, hung a large, exquisitely painted portrait of Claraara.

It depicted her as she was at the age of 14, a young woman on the cusp of adulthood, her beauty radiant, her eyes full of youthful promise.

It was a portrait Elias would stare at for hours, his gaze fixed on the image of his lost love, a silent communion with a past that could never be reclaimed.

And as Norah grew, the resemblance to that portrait became almost unbearable for Elias.

At 10, then 11, then 12, Norah was the living embodiment of his lost Claraara, a precious, fragile echo.

It was a resemblance that for Elias became both a comfort and a torment, a constant reminder of what he had lost, and a desperate, burgeoning desire to hold on to the only piece of her that remained.

The first subtle clues that something deliberate, something profoundly unnatural was occurring, began to surface in the fragmented memories of those who had once been close to the Vance household.

Old Mr.

Abernathy, the general store proprietor, a man whose memory was as long as his beard, recalled seeing Elias Vance at odd hours, not in town, but down by the creek that snaked through the woods bordering his property.

Elias would be carrying a small woven basket, his head bent, his movements fertive.

He seemed to be gathering something, not berries or mushrooms, but small nondescript plants, their leaves are dull green, their stems thin and rey.

Mr.

Aanathy had thought nothing of it at the time, ᴀssuming Elias was collecting herbs for some home remedy, a common practice in those days.

But the memory once stirred by the whispers about Norah now took on a more sinister hue.

Then there was Clem Dudley, a burly Tacitturn man who had worked as a farm hand on the Vance property for a few years after the war before moving on to find better wages.

Clem, a man not easily rattled, remembered a strange, bitter smell that would occasionally emanate from the van’s kitchen.

It wasn’t the smell of cooking or of cleaning solutions.

It was an earthy acrid scent, almost medicinal, but with an underlying bitterness that made his nose wrinkle.

He’d seen Elias in the kitchen, hunched over a mortar and pestle, grinding something into a fine paste.

Elias would always stop when Clem entered, his back stiffening, his movements becoming deliberately casual.

Clem had dismissed it as Elias’s eccentricities, another facet of the man’s griefstricken reclusiveness.

But the memory of that smell, that secretive grinding now felt like a cold knot in his stomach.

And then there was Norah herself.

Her persistent fatigue, her unnerving pal, the way her delicate skin seemed almost translucent.

She was always quiet, always compliant, never complaining.

Even when Elias insisted she drink a particular herbal tea each morning or consume a spoonful of a thick dark paste with her meals, Elias would watch her, his eyes intense, unblinking as she swallowed the concoction without protest.

He would tell her it was for her health to keep her strong to ward off the illnesses that had claimed her mother.

And Norah, innocent and trusting, would obey.

She was a child after all, and her father was her world, her only protector in a world that had taken everything else from her.

The pieces were there, scattered like fallen leaves, waiting for someone with the intellect and the courage to gather them, to piece together the horrifying mosaic of Elias Vance’s twisted devotion.

If this story is already unsettling you, good, because what Dr.

Hol was about to discover would challenge everything he believed about medicine, about fathers, and about love.

Hit that like ʙuттon to help more people find this story, and let’s keep going.

The summer of 1879 brought with it not only the oppressive heat of Alabama, but also a new unsettling tremor through the quiet rhythms of Harwick.

Thomas Greer, a young man of 19, was a familiar and well-liked figure in town.

He was the son of the local blacksmith, a strapping lad with a ready smile, a shock of unruly brown hair, and a natural charm that drew people to him.

Thomas was full of the boundless energy of youth, eager to make his mark in the world, and like many young men his age.

His thoughts were beginning to turn towards matters of the heart.

His attention, to the surprise of many, had settled upon Norah Vance.

It wasn’t her vivacity that drew him, for Norah possessed little of that.

Instead, it was her quiet mystery, her ethereal beauty, and the profound sadness that seemed to reside in her deep blue eyes.

He saw her as a delicate flower, needing protection, and perhaps a little light.

He had first truly noticed her at the annual church picnic, a rare occasion, when Elias allowed Norah to venture beyond the confines of their property.

Norah, then by the calendar 18 years old, still looked no older than a child of 12.

But Thomas, with the romantic idealism of youth, saw past the physical anomaly.

He saw her gentle spirit, her quiet intelligence, and the haunting beauty that reminded him of a porcelain doll.

Their encounters were brief, furtive, and charged with the unspoken tension of a forbidden attraction.

Thomas would find excuses to linger at the general store when he knew Elias and Norah might be there.

He would offer a polite nod to Elias, then a shy, hopeful smile to Norah.

Norah, in turn, would offer a faint, almost imperceptible smile back, a fleeting warmth in her usually still features.

Once he managed to drop a small, brightly colored ribbon near her feet, pretending it was an accident.

Norah picked it up, her delicate fingers brushing his as she returned it.

And for a moment their eyes met, a silent communication pᴀssing between them.

Another time he saw her sketching by the creek a rare moment of solitude for her.

He approached cautiously, offering a few wild daisies he had picked.

Norah accepted them, her cheeks flushing a faint rose, and for a few precious minutes they spoke, their voices low, almost conspiratorial.

Thomas spoke of his dreams of expanding his father’s smithy, of seeing the world beyond Harwick.

Norah, in her soft, whispery voice, spoke of the book she read, of the stories she imagined.

These innocent encounters, however, did not escape the notice of Elias Vance.

His possessiveness of Norah had grown over the years, hardening into an impenetrable shell.

He saw every glance, every whispered word, every fleeting smile as a threat to the carefully constructed world he had built around his daughter.

He saw Thomas Greer not as a hopeful suitor, but as a predator, a force that threatened to steal away the last vestage of Claraara that he clung to so desperately.

One sweltering afternoon, Elias witnessed Thomas speaking to Norah outside the general store, a small bouquet of wild flowers in Thomas’s hand.

The scene, innocent as it was, ignited a cold fury in Elias.

His face, usually impᴀssive, contorted into a mask of barely suppressed rage.

He stroed towards them, his movement stiff and deliberate, his eyes fixed on Thomas with an intensity that made the young man flinch.

Norah.

Elias’s voice was low, dangerously calm.

We are leaving.

He did not acknowledge Thomas did not even spare him a glance.

He simply took Norah’s arm, his grip firm, and led her away, leaving Thomas standing alone, the wild flowers still clutched in his hand, a knot of fear тιԍнтening in his stomach.

The public display, though brief, was enough to send a ripple of discomfort through the few towns folk who witnessed it.

Elias Vance’s possessiveness was wellnown, but this was something darker, more menacing.

Then Thomas Greer disappeared.

It was a Sunday evening, a week after the incident at the general store.

Thomas had told his parents he was going for a walk, perhaps to clear his head, perhaps to try and catch a glimpse of Nora.

He was last seen by old Mr.

Abernathy walking down the dusty road that led towards the vance property.

The setting sun casting long shadows before him.

He never returned.

The alarm was raised the next morning.

Thomas’s parents, frantic with worry, alerted Deputy Orin Folk.

Deputy Folk was a man of quiet competence, his uniform often dusty, his face weathered by the sun.

He was a good man, dedicated to his duty.

But the disappearance of a young man without a trace was a rare and deeply unsettling event in Harwick.

Deputy Faulk launched an immediate investigation.

He organized search parties, combing the woods and fields surrounding Harwick, calling out Thomas’s name until their voices were hoarse.

He questioned everyone who had seen Thomas that evening, meticulously noting down every detail.

He spoke to Mr.

Rabanathy who confirmed seeing Thomas heading towards the Vance farm.

Naturally, Deputy Faulk went to the Vance property.

He found Elias Vance on his porch calmly whittling a piece of wood.

Norah seated quietly beside him reading.

Elias greeted the deputy with his usual reserved politeness.

When questioned about Thomas, Elias’s face remained impᴀssive.

I saw no one, deputy.

Norah and I were at home all evening.

we keep to ourselves.

Nora, when asked, simply nodded, her eyes downcast, her voice a barely audible whisper.

I saw no one, sir.

Deputy Faulk searched the Vance property with Elias’s reluctant permission.

He found nothing.

No sign of a struggle, no discarded items, no freshly disturbed earth.

The farmhouse and its surrounding land were meticulously kept, almost unnaturally so.

The deputy left frustrated and deeply uneasy.

Elias Vance was a strange man, but there was no evidence, no proof to connect him to Thomas’s disappearance.

The community’s fear escalated dramatically.

The whispers about Norah now mingled with terrified speculation about Thomas.

Had he run off? Had he met with an accident? Or had something far more sinister occurred? The quiet, reclusive Elias Vance, once merely an object of pity and distant respect, now became a figure of dark suspicion.

His unyielding control over Norah, his cold demeanor, his unwavering denial, all contributed to a growing sense of dread that settled over Harwick like a shroud.

Dr.

Hol, meanwhile, felt a cold knot of certainty тιԍнтen in his stomach.

Thomas Greer’s disappearance, coupled with his own unsettling observations of Norah Vance, solidified his growing suspicion about Elias.

The medical anomaly, once a perplexing puzzle, now felt inextricably linked to a potential crime.

The pieces were beginning to align, forming a picture far more horrifying than he had ever imagined.

He knew with a chilling certainty that he had to dig deeper to uncover the truth, no matter how dark or devastating it might be.

The fate of Norah Vance and perhaps Thomas Greer depended on it.

The disappearance of Thomas Greer, coupled with his own profound medical confusion regarding Norah Vance, propelled Dr.

Hol into a systematic and relentless investigation.

The rationalist in him demanded answers, and the humanitarian in him felt a growing urgency to protect Norah from whatever dark secret Elias Vance harbored.

His office, usually a place of healing, transformed into a quiet laboratory of inquiry.

He spent his evenings pouring over medical texts, botanical guides, and any scientific journals he could lay his hands on, searching for any obscure condition, any rare plant, any forgotten folk remedy that might explain Norah’s arrested development.

His search was painstaking, often frustrating.

The medical knowledge of the late 19th century, while advancing rapidly, still had vast, uncharted territories.

He considered everything.

Rare genetic conditions, chronic illnesses, even the possibility of some exotic poison, but nothing quite fit.

Norah exhibited no other symptoms of severe illness, only the profound and unsettling lack of physical maturation.

Then a thought struck him.

What if it wasn’t a disease, but a deliberate intervention? What if Elias Vance, in his twisted grief, was actively doing something to Nora? He remembered the old wives tales, the folk remedies pᴀssed down through generations, some of which involved plants with potent, if poorly understood, effects on the human body.

He decided to cast his net wider, beyond the confines of conventional medicine.

He drafted a meticulous letter, his handwriting precise and clear, to Dr.

Leonard Price, a renowned botonist at the University of Alabama in Tuscaloosa.

In the letter, Dr.

Holt described Norah’s case in exhaustive detail.

Her apparent age versus her chronological age, the complete absence of secondary Sєxual characteristics, her pal, her quiet demeanor, and the lack of any other overt disease symptoms.

He then posed a series of questions asking if doctor Price knew of any plants native to Alabama or the wider South that were known to have effects on human growth, development, or hormonal systems, particularly those that might suppress puberty or cause a stunting of physical maturation.

He emphasized the unusual nature of the case, hinting at a possible deliberate administration.

The weeks that followed were agonizing.

Doctor Holt continued his daily rounds, treating his patients, but his mind was constantly replaying Norah’s image, Elias’s cold demeanor, and the chilling mystery of Thomas Greer’s disappearance.

He felt a growing sense of isolation, burdened by a secret he could not yet fully articulate, a suspicion that felt both monstrous and terrifyingly plausible.

Finally, a letter arrived from Tuscaloosa, its envelope bearing the university’s seal.

Dr.

Holt tore it open with trembling hands.

Dr.

Price’s reply was detailed, scholarly, and utterly devastating.

Dr.

Price acknowledged the unusual nature of the case, and after careful consideration, suggested a particular plant, lithosperm rutder, commonly known as stone seed or Wayside Gromwell.

He explained that while its properties were not fully understood by Western medicine, it had a long and documented history of use among various indigenous peoples of North America, particularly for its effects on fertility.

He wrote of tribal women using infusions of the plant to suppress menstruation and prevent conception and of its use in some cultures to delay puberty in young girls or even to induce a state of prolonged childhood.

Doctor Price went on to explain that recent, albeit limited, scientific inquiries into lithosperm rudel had begun to identify certain alkaloids within the plant that were believed to interfere with the pituitary gland and consequently the thyroid gland.

He described how a suppressed thyroid could lead to a host of symptoms.

stunted growth, delayed Sєxual development, lethargy, palar, and a general slowing of metabolic processes.

He noted that prolonged exposure, especially during critical developmental periods, could have profound and potentially irreversible effects on an individual’s physical maturation.

The plant, he added, was relatively common in the region, often found growing in dry open woodlands and along creek beds.

Dr.

Hol read the letter once, then a second time, his hands gripping the paper so тιԍнтly his knuckles turned white.

The words on the page were a cold, hard scientific explanation for the unnatural phenomenon he had witnessed.

Every symptom Norah exhibited, her small stature, her lack of secondary Sєxual characteristics, her pal, her quiet, almost lethargic demeanor, suddenly made horrifying sense.

The pieces clicked into place with a sickening finality.

Elias Vance wasn’t just a grieving father.

He was a deliberate architect of his daughter’s arrested development.

He was feeding her a compound systematically to keep her forever young, forever a child, forever the spitting image of his lost Claraara at 14.

The realization was a punch to the gut, a wave of nausea washing over him.

The intellectual satisfaction of solving a medical mystery was utterly eclipsed by the profound horror of the truth.

This was not an illness.

It was an act of prolonged calculated cruelty disguised as care.

Armed with this terrifying knowledge, Dr.

Hol knew he needed more than just scientific theory.

He needed confirmation, a witness.

His mind immediately went to Clem Dudley, the former farmand who had mentioned the strange smell and Elias’s secretive grinding.

Dr.

Holt sought out Clem Dudley that very evening.

He found Clem at the local tavern nursing a glᴀss of whiskey, his face etched with the weariness of a hard day’s labor.

Dr.

Holt pulled up a chair, ordered a Sasa Perilla and spoke in a low, earnest tone, explaining his concerns about Nora and the strange circumstances surrounding the Vance household.

He mentioned the plant, the bitter smell, the paste.

Clem, initially wary and reluctant to speak ill of a former employer, slowly began to open up under Dr.

Holt’s persistent but gentle questioning.

He remembered the smell vividly, like bitter earth and something else, something sharp, doctor, that made your eyes water if you got too close.

He described seeing Elias, often late at night, hunched over a small wooden mortar and pestle in the kitchen, grinding dried plant material into a fine powder, then mixing it with a little water to form a thick, dark paste.

He’d always be real quiet about it, Clem recounted, his voice dropping to a whisper.

And he’d always stop if I came in.

But I saw him, doctor, more than once.

And I saw him put a spoonful of that paste into Norah’s morning tea, or sometimes mix it into her porridge.

He’d watch her drink it too, real close, like he was making sure she got every drop.

Clem also recalled Elias going down to the creek bed, often with a small basket, returning with bundles of the very plants Dr.

Price had described.

Small, unᴀssuming, with dull green leaves.

He called it Norah’s tonic, said it was to keep her strong like her mama.

Clem finished, a shiver running through his burly frame.

But it always felt wrong somehow, a cold feeling.

The pieces were no longer scattered.

They were ᴀssembled forming a complete horrifying picture.

The scientific explanation, the eyewitness testimony, the chilling reality of Elias Vance’s actions.

Doctor Hol felt a profound sense of dread, but also a fierce determination.

He had the truth.

Now he had to act.

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The worst is still ahead.

Leto of the confrontation was inevitable.

A storm that had been gathering for years now ready to break.

Dr.

Halt, armed with the scientific explanation from Dr.

Price and the chilling testimony of Clem Dudley, knew he could no longer delay.

The fate of Norah Vance and the lingering unspoken question of Thomas Greer demanded immediate action.

He arrived at the Vance farmhouse on a Tuesday afternoon, the air heavy and still, the silence of the property almost suffocating.

He found Elias Vance in his study, a small austere room filled with books on history and military strategy, the portrait of Claraara Vance, Forever 14, gazing down from the wall, Elias looked up from his ledger, his face impᴀssive, his eyes betraying no surprise at Dr.

Holt’s unannounced visit.

He simply gestured to a chair, a silent invitation to sit.

Dr.

Holt chose his words carefully, his voice steady despite the tremor in his hands.

Mr.

Vance, he began, I have come to speak with you about Nora, and about certain irregularities.

Elias closed his ledger, placing it precisely on the desk.

Irregularities, doctor, I ᴀssure you, Norah is in excellent health.

You yourself examined her.

His tone was calm, almost dismissive.

A subtle challenge.

“Indeed, I did,” Dr.

Hol replied, meeting Elias’s gaze.

“And my examination, coupled with further research, has led me to a most disturbing conclusion.

Mr.

Vance, I know about the lithosperm rudel.

” The name hung in the air, a foreign scientific pronouncement that seemed to crack the carefully constructed facade of Elias Vance.

For the first time, a flicker of something, surprise perhaps, or a cold recognition, crossed Elias’s eyes, but it was fleeting.

He simply leaned back in his chair, his hands clasped, his posture still rigid.

And what precisely do you know about it, doctor? His voice was still calm, but there was an edge to it now, a dangerous quiet.

Dr.

Holt laid out his findings meticulously, clinically.

He spoke of Dr.

Price’s letter of the plant’s properties, its alkyoids, its effects on the thyroid and pituitary glands, its documented use in suppressing development.

He spoke of Norah’s symptoms, how they perfectly aligned with prolonged exposure to the compound.

He spoke of Clem Dudley’s testimony, of the bitter paste of the morning tea.

He left no detail unsaid, no piece of evidence unpresented.

When Dr.

hold finished.

The silence in the room was profound, broken only by the ticking of a grandfather clock in the hall.

Elias Vance remained utterly still, his gaze fixed on the portrait of Claraara.

Then he slowly turned his head, his eyes cold and unblinking.

Meeting Dr.

Holtz.

“You believe I have poisoned my daughter, doctor?” Elias asked, his voice devoid of emotion, almost conversational.

I believe you have deliberately stunted her growth, Mr.

Vance.

Dr.

Holt corrected his voice firm.

To keep her a child, to keep her, as she was, he gestured subtly towards the portrait.

Elias smiled then, a thin, chilling smile that did not reach his eyes.

As she was, yes, as Claraara was.

You see, doctor, you are a man of science.

You understand the mechanics of the body, the functions of glands and compounds, but you do not understand the mechanics of the heart.

You do not understand loss.

He rose from his chair, walking slowly towards the portrait of Claraara, his back to Dr.

Holt.

His voice, when he spoke again, was low, almost a monologue, filled with a chilling blend of grief, obsession, and terrifying logic.

Clara,” he began, his hand reaching out to gently trace the painted cheek of his wife.

She was everything, the light, the warmth, the very air I breathed.

And then the war took her, not with a bullet, but with a cough, a fever, a slow, agonizing fade.

I was away, fighting for a cause that was already lost, while she she was dying alone.

I returned to an empty house doctor, an empty echoing tomb.

Only Norah remained.

a tiny fragile echo of her mother.

He turned, his eyes now blazing with an intensity that made Dr.

Hol instinctively recoil.

And as Norah grew, she became more and more like Claraara.

At 14, she was Claraara, precisely as she was in that portrait, the same eyes, the same hair, the same delicate features.

It was a miracle, doctor, a second chance.

A piece of Claraara returned to me.

His voice dropped, becoming almost a whisper filled with a profound twisted tenderness.

But time, time is a thief, doctor.

It would have stolen her from me again.

It would have taken that precious image, that last vestage of Claraara, and transformed it into something else.

A woman.

A woman who would grow and change and eventually leave me just as Claraara did.

I could not bear it.

I could not lose her again.

He paused, his gaze sweeping over Dr.

Halt as if expecting understanding, even empathy.

So, I found a way, an old way, a forgotten way.

The plants by the creek, the knowledge pᴀssed down.

I researched.

I experimented.

I found the means to preserve her, to keep her safe from the ravages of time, from the inevitable changes that would have erased Claraara’s image from her face.

I kept her pure doctor, untouched, forever 14, forever Claraara.

His logic was terrifying in its clarity, its complete lack of moral compᴀss.

He genuinely believed he had done nothing wrong.

He saw it not as an act of cruelty, but as an act of profound, desperate love.

He had preserved his daughter, not for her own sake, but for his own, to satisfy his own insatiable grief.

You see, doctor, Elias continued, his voice hardening.

I did this for love.

A father’s love, a husband’s love, to keep a piece of what was lost alive.

And I will not allow anyone to take that from me.

Not you, not the town, not anyone.

His eyes narrowed, a veiled threat hanging unspoken in the air.

Some things are best left undisturbed, doctor, for everyone’s sake.

Dr.

Holt felt a cold dread seep into his bones.

It wasn’t just the confession, the horrifying admission of what Elias had done.

It was the man’s complete utter lack of remorse.

He was not a mad man raving.

He was a man utterly convinced of the righteousness of his actions.

His grief having twisted his perception of reality into something monstrous.

He had committed an unspeakable act, and he saw it as a sacred duty.

Doctor Holt rose slowly, his legs feeling heavy, his mind reeling.

He had come seeking answers, and he had found them.

But the truth was far more devastating than any medical anomaly.

He had stared into the abyss of a broken man’s soul, and the darkness he found there was absolute.

He left the Vance farmhouse shaken to his core.

The image of Claraara’s portrait and Elias’s chilling monologue burned into his memory.

The confrontation was over, but the true horror had only just begun.

The truth, once unearthed, has a way of unraveling everything.

Dr.

Hol, still reeling from his confrontation with Elias Vance, knew he could not carry this burden alone.

The next morning, with a heavy heart and a grim determination, he sought out Deputy Orin Folk.

He laid out the entire horrifying narrative, the scientific explanation of lithosperm ruterail, the detailed account from Dr.

Price, Clem Dudley’s eyewitness testimony of Elias preparing and administering the paste, and finally Elias’s chilling confession, his twisted rationale for keeping Norah in a perpetual state of childhood.

Deputy Fog listened in stunned silence, his usual stoic demeanor slowly crumbling into a mixture of disbelief and dawning horror.

You mean he’s been poisoning his own daughter, doctor? To keep her looking like like her ᴅᴇᴀᴅ mother? The words were difficult to form.

The concept too monstrous to fully grasp.

Not a poison in the conventional sense, Deputy Dr.

Hold clarified, but a compound that has systematically arrested her development, her very womanhood, a deliberate act sustained over years.

He then brought up the disappearance of Thomas Greer, connecting the dots between Thomas’s interest in Norah and Elias’s possessive rage.

I believe, Deputy, that Thomas Greer’s disappearance is directly linked to this.

Elias Vance would tolerate no threat to his creation.

Faulk, now fully convinced by the weight of the evidence, moved swiftly.

He obtained a warrant, a rare and serious step in quiet Harwick, and returned to the Vance property with a small contingent of men.

This time, Elias Vance offered no resistance, his face a mask of cold resignation.

He watched, impᴀssive, as Deputy Folk and his men searched the farmhouse.

The search yielded damning evidence.

In the cellar, hidden beneath a loose floorboard, they found bundles of dried lithosperm rudder rail carefully preserved.

Beside them, a small worn mortar and pestle, still bearing traces of a dark earthy residue, and then in a locked drawer in Elias’s study, they discovered a small leatherbound journal.

It was not a diary of emotions, but a meticulous record in Elias’s precise hand, detailing the dosages, the frequency of administration, and Norah’s physical responses over the years.

Entries like Norah’s height unchanged this quarter.

Good.

Her skin remains smooth.

The dosage is correct.

Or chillingly, a young man, Thomas Greer, showed undue interest in Norah today.

must ensure her purity is maintained.

The dosage will be increased slightly for a week.

The journal was a cold clinical testament to his monstrous obsession.

With the evidence secured, Deputy Faulk and Dr.

Holt gently but firmly removed Nora from the Vance farmhouse.

She was taken to Dr.

Holt’s office, away from her father’s suffocating presence, for a proper unobserved examination.

Norah sat on the examination table, her small hands clasped, her eyes wide and luminous.

She was pale as always, but there was a new fragile vulnerability about her.

Dr.

Holt spoke to her softly, kindly, explaining in simple terms what they had discovered.

He told her about the plant, about its effects, about how it had kept her body from growing as it should.

He watched her face, expecting confusion, perhaps anger or even a child’s denial.

But what he saw was a profound, heartbreaking understanding.

Then Norah spoke, her voice, usually a whisper, was still soft, but carried a terrible clarity.

I knew, she said, her gaze fixed on some distant point beyond the window.

I knew I was different.

The other girls, they grew.

Their bodies changed.

But mine mine stayed the same.

Father said it was a special tonic to keep me healthy like mama.

He said mama was beautiful and I was just like her and he wanted me to stay that way.

She paused, a single tear tracing a path down her delicate cheek.

I felt tired sometimes and hungry but not for food.

Just tired.

But I loved my father.

He was all I had.

He loved mama so much.

I thought I thought he was keeping me safe.

I didn’t understand that it was wrong.

Her confession was not an accusation, but a statement of profound, quiet grief.

She had known in her innocent, childlike way that something was a miss.

But her love and dependence on her father had blinded her to the true nature of his actions.

She had been a prisoner of his grief, a living monument to his lost love.

Her own life and development sacrificed on the altar of his obsession.

Her resignation, her terrible, quiet acceptance of her fate, was more devastating than any outburst of rage could have been.

She was a child who had been denied her childhood, and a woman who had been denied her womanhood, all by the hand of the man who claimed to love her most.

The question of Thomas Greer, though never explicitly answered by Elias, now hung heavy in the air, a silent, chilling implication.

The journal entry, the increased dosage after Thomas’s interest, the lack of any trace of the young man, and the discovery of the plant material near the creek bed where Thomas was last seen walking, all pointed in one terrible direction.

No body was ever found.

No definitive proof of Elias’s direct involvement in Thomas’s disappearance.

But in the quiet, knowing glances exchanged between Doctor, Holt, and Deputy Faulk, the truth was understood.

Thomas Greer had become another casualty of Elias Vance’s monstrous devotion.

A threat eliminated to preserve his twisted vision of Nora.

The unraveling was complete, leaving behind a landscape of shattered innocence and unspeakable horror.

The aftermath of the Norah Vance case sent shock waves through Harwick.

A town already weary from war and hardship.

The legal system of 1871 Alabama, however, was illequipped to deal with a crime so unique, so psychologically complex.

Elias Vance was arrested, of course, and charged with various offenses related to the deliberate harm of his daughter.

But the concept of stunting development through botanical means was alien to the law, and the lack of a body for Thomas Greer made a murder charge impossible to prove definitively.

The trial was a spectacle, drawing curious onlookers from miles around.

Elias Vance, true to form, remained impᴀssive throughout, his testimony a chilling repeтιтion of his twisted logic.

He had acted out of love to preserve the memory of his wife, to protect his daughter from the harsh realities of the world.

Dr.

Halt testified, presenting his scientific findings and the journal entries, painting a stark picture of calculated abuse.

Clem Dudley recounted his observations, his voice trembling with a mixture of fear and righteous anger.

Nora, fragile and quiet, gave her testimony, her soft words echoing the profound sadness of her stolen youth.

In the end, Elias Vance was convicted of aggravated ᴀssault and child endangerment, but not murder.

The jury, a mix of towns folk and farmers, struggled with the nuances of the case.

Some saw him as a monster, others as a broken man driven mad by grief.

He was sentenced to a term in the state penitentiary, a punishment that to many felt woefully inadequate for the years of psychological and physical imprisonment he had inflicted upon his own child.

The community fractured, some pitying the grieving widowerower, others horrified by the depths of his depravity.

The Vance name once ᴀssociated with quiet respect became synonymous with a dark unsettling tale.

Norah, now free from her father’s suffocating control, was a ghost of a girl.

Her body, though no longer receiving the compound, had been irrevocably altered.

She was taken in by a distant cousin’s family in Tuscaloosa, a kind, elderly couple who offered her a quiet refuge.

The transition was difficult.

Norah was withdrawn, her voice rarely rising above a whisper, her eyes still holding that ancient sorrow.

She had missed years of normal development, years of social interaction, years of simply being a child.

Dr.

Holt, haunted by the case, kept a final entry in his journal, his handwriting now more reflective than clinical.

The Vance case closes, but its shadows linger.

Science provided the explanation, but could not mend the broken spirit.

Nora Vance, a victim of a love so profound it became monstrous.

Her body slowly may begin to catch up, but the years stolen, the experiences denied, can never be reclaimed.

A chilling reminder that the human heart, in its darkest grief, can twist even the purest intentions into unspeakable acts.

The limits of our understanding, both medical and moral, were laid bare in Harwick.

May God have mercy on her soul and on his.

What became of Norahance in the years that followed? Her recovery was slow, partial.

As the lithosperm rrooder compound gradually left her system, her body began a belated, hesitant attempt at maturation.

She grew a few more inches, her features softened slightly, and a faint, almost imperceptible curve began to emerge, but she never truly caught up to her chronological age.

She remained small, delicate, with the unnerving stillness that had become her hallmark.

She lived a quiet life in Tuscaloosa, never marrying, never having children, forever marked by the years of her father’s twisted devotion.

She carried the scars of her past, not on her skin, but deep within her spirit, a quiet testament to the girl who never aged like the others.

The unresolved question of Thomas Greer remained a dark stain on Harwick’s history.

His disappearance was never fully explained, his body never found.

His parents grieved until their dying days, forever wondering what became of their son.

The town of Harwick, in its own way, tried to forget.

The story of Norah Vance became a whispered legend, a cautionary tale told in hushed tones around crackling fires, its details distorted and embellished with each retelling.

Some chose to remember Elias Vance as a tragic figure, others as a monster.

But no one could deny that the quiet, unᴀssuming town had witnessed a horror that defied easy explanation, a chilling reminder of the darkness that can fester in the human heart.

When grief and obsession intertwine, this story asks us something that has no easy answer.

What does it mean when cruelty wears the face of love? What do you think of Norah’s story? Leave your comment below.

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